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The Dance of the Middle World
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The Dance of the Middle World
The Dance of the Middle World; is a large and highly complex
sculpture installation that has been created over a period of
eight years.
The work is composed of seventy small bronze and terra cotta figures.
These are arranged upon an organic/architectural structure that
is partly modelled and partly cast in cement fondu, reinforced
with steel. The work depicts a strange and timeless limbo world,
that encompasses an element of magic.
It is ..."a meeting place, a waiting room, the still procession
where life and death, joy and despair, light and darkness intersect
into chaotic disorder.
Time, place and all form of definition become valueless and are
thrown out of context.
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Using references from different ages, the past is merged with the
present to create a sense of the apocalyptic.
Vulcan bombers and satellite dishes are subtly merged with Christian
and pagan symbolism.. The overall shape of the sculpture is reminiscent
of both an alter and a pinball machine.
The Dance of the Middle World must be exhibited in a dark empty
space, illuminated by a spotlight.
Dimensions of work when assembled: Height: 280cm Width: 120cm Length:
230cm |
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Details From: The Rites of
Dionysos - Eden Project
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The Rites of Dionysus
Based on the Dionysian Rituals, this multifigured installation is
in the early stages of development, due to be completed by Spring
2003.
The work will consist of between 15 - 20 Copper lifesize figures that
will stand, dance and writhe amongst the vines .
During the months that follow, new figures will be added to this area,
echoing the changing nature of the vines. " As the newly established
vines develop, new shoots will appear, twisting and turning on a journey
through light and space.
As the seasons turn, vines will be pruned back, making way for new
growth. I want my figures to reflect the 'Dance of Change' , altering,
cutting and reshaping form to reflect the movement of plant growth.
I want plant form and sculpted form to merge into one dance. " |
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In September 1999, Eden's Creative Team invited me to interpret a
story that was associated with vine growing .
It became apparent that Dionysus, Greek God of the Vine (later known
as Bacchus by the Romans) was the appropriate subject for the job.
Dionysian's Mythologies gave me vision, inspiration and most significantly
provided a connection with the Ancient World. \ Dionysus is depicted
as a bull who presides over his followers the Maenads, who dance ecstatically
throughout the vines .
It is intended that the Bacchanal will be accompanied by a Light and
Sound Installation . |
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Drummer
Cement Fondu
Approx: H: 200cms W: 180cms D: 90cms
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Details From : La Corrida -
Dreams in Red
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La Corrida - Dreams in Red
La Corrida - Dreams in Red; Depicts a world that rages with an explosive
energy, passion and grace. It is a world where elements of brutality,
sensuality and beauty are merged together.... and where the past
and present meet on the same level.
The participants inhabit a ‘dark world' which is driven by an ever
present awareness of death. Bulls charge across the arena, figures
dance, turn and gesture, as if with the last drop of blood before
dying.
The work consists of a cast of small modelled bulls, horses, Toreadors
and dancers. These are placed in groups upon a drum shaped table
which is covered in a thin layer of red pigment.
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The figures are illuminated by coloured spotlight and ultra-violet
light. Fibre-optic light projects shadows from the figures onto the
surrounding gallery walls, to the sound of processional trumpet music.
This music is punctuated by voices from Spanish radio. The work expresses
a world that is on a knife edge in terms of customs and cultural values,
between life and death and where the past walks into the present moment
and grace, eloquence and energy are one. La Corrida - Dreams in Red
was inspired during a three month working (residence) stay with The
Delfina Studies Trust in Andalucia, Spain in 1996.
Dimensions of work when assembled:
Table height: 120cm Table diameter: 300cm |
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Visit Tim's
website to view more of his work.
Contact Tim Shaw
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